Unfollow the Rules, Rufus Wainwright’s first album of new pop songs in eight years, begins with an unaccompanied garage-rock stomp from drummer Matt Chamberlain. Soon that rough sound is joined by Wainwright’s honeyed high tenor, and that establishes the album’s yin-yang dynamic of trashy, messy problems juxtaposed against elegant, comfortable pleasure. When the singer gets […]
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